- Calle 22 – Venezuela, 1994. 20 minutos, 35mm., color
Una calle, dos teléfonos públicos; Una pareja, Ana y Manuel. Manuel ha decidido hacerle un juego a ANA y, cambiando su voz, le hace llamadas obsenas. Para su sorpresa, ANA es seducida por esta voz desconocida.
A street, two public phones; a couple, Ana and Manuel. Manuel has decided to play a joke with Ana, so he makes dirty telephone calls to her, changing his voice. To his surprise, Ana is seduced by the unknown voice.
- Cotidiano – Perú/ Venezuela. 1993. 12 minutos 35mm. color
Una mujer, a solas en una casa vacía, recibe una llamada telefónica. El espacio vacío se va llenando de vivencias de su vida cotidiana de pareja, donde ni ella ni él corresponden a su evocacion telefónica.
A woman, alone in an empty house, receives a phone call. While she talks about her recently ended relationship, the empty space starts to fill up with situations of the daily life with her former partner. At the end we discover with whom she is taking to.
- Cáscaras – Cuba-Venezuela, 1992. 12 minutos. 16mm. color
Una mujer, vendedora de entradas de cine, se enamora del reflejo de un hombre en el espejo. La pasión aumenta, hasta que ella lo ve fuera del reflejo y descubre quién es.
A woman sells tickets in an art-decó cinema, as voices from a passionate melodrama float through the foyer, disembodied. The proyection’s assistant, reflected and distorted in a mirror, becomes the focus of her romantic dreams. When the mirror shatters, the film moves to an inevitable tragic conclusion.



